In Defense Of…Lars Ulrich’s Drumming

The title to this entry is important.  This is about Lars Ulrich’s drumming, not his personality.  Which at times bears resemblance to a child.  Either way, he’s a decent drummer and that’s what this post is about.  I don’t think there’s another drummer on the planet that gets as much flak for their playing as Lars Ulrich.  The guy’s playing gets ripped on like vegans at thanksgiving.  Is he the best drummer in the world?  Certainly not.  In fact, he’s probably the weakest drummer out of the big 4.  Actually, when he first played for James Hetfield, Hetfield rejected him.  He’s also stated how horrible of a drummer Lars was at first.  But, Mr. Ulrich worked hard and practiced and practiced.  He became quite adequate in an impressively short period of time if you think about it.  And he grew.  By the time ‘Ride the Lighting’ came out he was a full fledged heavy metal drummer with progressive tendencies.  The next album ‘Master of Puppets’ I would argue was his peak of drumming.  Lot’s of drive and practice using good old fashioned wooden sticks.  This would follow through ‘The Black Album’.  But then something happened which I believe is the root of why he gets all the crap that he does.  It’s not the Napster fiasco.  It’s not the fact that he cut his hair along with the rest of the band.  It’s the fact that he struck, as did many other famous drummers in the 90’s, a sponsorship deal with A-Head drumsticks.  Folks, these sticks are terrible for drummers.  I’m a former user of them.  A certain drummers signature stick, I won’t mention who, really fucked up my right wrist for a while.  Look what they did to Peter Criss’ playing.  The band actually used drum triggers through the “Farewell (that’s a laugh) Tour”.  He put them down when he returned for the Alive IV Symphony album in 2003 and his playing never sounded better.  I think the main culprit here is the A-head drum stick.  Watch some of the video below.  Lars’ drumming is very good.

A-game playing.  A little before ‘Master of Puppets’.  You can see and hear how hard Lars was working.

Now, this isn’t the only reason Lars seems a little lacking in the drumming world. There was also a period of time I think when Lars wasn’t practicing.  He seemed to lose a lot of what made him who he is.  There’s even a youtube video of him on a recent tour with all his mistakes mashed up in one long video.  And yeah, lots of them are mistakes that should never be made during a live show.  Simple fill mistakes and basic rhythm flubs that he never used to make.

I blame the A-heads.

It’s seems that the weight of the A-heads are making him tired.  Well, that’s changed a little.  Metallica are in the midst of a huge tour and massive album release, ‘Hardwired…To Self Destruct’.  While Lars’ playing still isn’t what it was in the 80’s,  it’s gotten significantly better than what it was a few years ago.  He seems to be practicing again.  His drumming on the newest album is good.  Not amazing by any means, but still very solid.  He’s gotten his double bass drum accuracy back which is important.  And the production of the drums on ‘Hardwired’ are spot on.  His snare snaps like a broken neck and the bass is phat as a muthafuck.  At the end of the day, he’s done very well in Metallica.  His playing, while not amazing, certainly doesn’t deserve the crap it gets from others.  He’s a solid drummer who fit’s in perfectly with where he is.  Lars Ulrich is after all the drummer of the biggest heavy band of all time.

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Alex Wyatt

Alex Wyatt is a metal blogger, musician, and lifelong metal fan. Visit his site at https://www.alexrox.com.

2 thoughts on “In Defense Of…Lars Ulrich’s Drumming”

  1. Hello.
    While I respect your opinion of your impressions of Lars, I do not believe that AHEAD chopsticks are not in question. I use it myself and the LU signature. On the contrary. Compared to traditional chopsticks, they are ergonomic. The bulk of the weight in the handles, much less vibration and pleasant to play. So I would not come back on wooden sticks. Regarding the playing and style of Lars, he is not a virtuoso but he is certainly not bad either. On And Justice For All, there are very technical in his kick, speed drum riffs & fills. And on the DVD Cunning Stunts, we can see it with a fair play, in the pocket even with his improvised fills on some songs and the adaptation of songs written on a 9 pieces, 4 toms, on a 7 pieces, 2 toms and smaller shells in sizes: ” XL Deep Shells’ ’24-24-10-12-14-16-18-18 + 14×7′ ‘maple snare vs” Standard Deep Shells’ ’22 -22-10-12 -16-16 + 14×6.5 ” bell brass (95-2000) or steel snare (2003-). Yes, his best years were between 90-2000 but in 2018, with the last album, their great classics and for a 56-year-old drummer, he is doing very well and many of the youngest can not follow him. All artists make mistakes live from time to time. Lars has also inspired a generation of drummers of which I am 11 years old and I had a solid training of 12 to 15 years. The Napster affair hurt him because before 2000, nobody criticized him badly for his playing…

  2. I have a great story about who taught or perhaps introduced Lars to double bass drumming on my BRAKOMA: Decades of Delirium Facebook page!

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