It’s considered one of the most seminal albums of the early 90’s Seattle movement. Many bands had released what’s now considered legendary material by 1994. However, Soundgarden’s popularity was just about to explode. They were the first ‘Seattle’ band. But the last to experience major commercial success. But the day would finally arrive when the bands fourth album ‘Superunknown’ hit record stores the world over.
The album shot out of the gate immediately. As a result of Soundgarden’s slow but sure developing loyal fan base. And not just one that liked grunge. But one that lived and breathed heavy metal. The band delivered the heavy goods for the people. Starting the album out with one of the sickest riffs ever in ‘Let Me Drown.’ The alternative 90’s sound gets kicked up a notch with ‘My Wave.’ But Soundgarden never loses its traditional, melodic heavy metal sound. ‘Fell on Black Days’ is simply one of the greatest ballads ever written. While Cornell and co. celebrate their love for Black Sabbath with ‘Mailman.’
The title track is simply superb. Kim Thayil’s signature trill riffage is in full effect. Along with a phat driving beat that’s sure to please even the most distinguished of heavy rock fans. ‘Head Down’ is pure gen X alternative hard rock. While its successor ‘Black Hole Sun’ remains one of the only massive hit singles to deserve the success that it generated. To this day, it’s an impactful and determined ballad that highlights the mood of the decade. ‘Spoonman,’ the other massive hit, is a rhythmic feast for the senses. The band just sits in the pocket so well. It’s a defining moment for drummer Matt Cameron.
‘Limo Wreck’ creates a spacey, yet dark atmosphere. The pinch harmonics are particularly tasty. ‘The Day I Tried To Live’ is yet another signature grunge song. The mood perfectly captures what gen X was feeling at the time. Which is likely the reason the band is so revered. Along with their peers. ‘Kickstand’ has pure punk energy. For those who doubt Soundgarden’s punk creds. The groove of ‘Fresh Tendrils’ is instantly addictive. And proof of Ben Shepherd’s absolute bass brilliance. ‘4th of July’ is without question the heaviest track on the album. A sheer ten ton heavy journey through the trials of hallucinogens.
‘Half’ is about as alternative as it gets. The middle eastern tropes shine through the short song and fit within the construct of the album well. ‘Like Suicide’ displays Soundgarden’s knack for progressive rock. The song builds and builds. It’s seven minute length giving the listener their money’s worth. ‘She Likes Surprises’ finishes things out in supreme alternative metal fashion.
Upon its release, ‘Superunknown’ was an immediate success. Soundgarden would embark on a massive 18 month tour. Flying the flag of hard rock and heavy metal for the mid 90’s. Soundgarden were always the band that threaded the needle between alternative rock and heavy metal. Some albums are more metal (‘Louder Than Love’). Some albums are more alternative (‘Ultramega OK’). But ‘Superunknown’ captured the perfect balance of what Soundgarden had to offer. And it’s still one of the greatest albums of all time. So crank it, live it and love it. Celebrate Soundgarden’s ‘Superunknown.’
