Dream Theater vocalist James LaBrie has released many solo albums over the years. Most of which are quite different from each other. 2005’s ‘Elements of Persuasion’ was a melodic, progressive and groove oriented heavy metal record. While his follow ups explored some deathcore elements combined with melodic metal. His earliest works, such as ‘Mullmuzzler’ and its sequel have a more progressive and soft side. And that’s the direction that LaBrie has decided his newest album, ‘Beautiful Shade of Grey’ should go.
Like most of LaBrie’s work, in and out of Dream Theater, it’s a top to bottom record. With the focus more on the vocal melodies than previous outings. There are progressive elements present. But none of the songs exceed six minutes. Instead, the melody takes the drivers seat. And it pays off in droves. However, the largely acoustic record never compromises for being on the soft side. There are tracks that throw down. The opening ‘Devil in Drag’ is a funky, throw back to the ‘Falling Into Infinity’ era of Dream Theater. While the follow up ‘SuperNova Girl’ is a masterpiece of balladry. It’s a perfect radio smash hit. Unfortunately, as with the vast majority of rock today, it’s ignored by the radio and top 40 suits.
The albums vibes continue with ‘Give and Take’ and ‘Sunset Ruin.’ Both keeping in line with the gloomy ballad themes found throughout the record. ‘Hit Me Like a Brick’ changes things up a bit. It’s slammin’ rock vibe blends well with the acoustic direction. ‘Wildflower’ also has a very strong melody that’s also worth of the top 40. Very similar to ‘Solitary Shell,’ found on Dream Theater’s 2002 album ‘Six Degrees of Inner Turbulence.’ ‘Conscience Calling’ is a very interesting moment on the album. A 48 second a capella song that would make Freddy Mercury proud. Seriously, LaBrie’s vocals are top notch on the whole album. But no moments shine as bright as ‘Conscience Calling.’ Those who question LaBrie’s vocals as he’s aged need to check it out.
‘What I Missed’ and ‘Am I Right’ both bring in the folk vibes. While never letting go of the entire direction of the album. Spacious, acoustic modulations compliment LaBrie’s vocal melodies. Fitting in perfectly with the rest of the record. ‘Beautiful Shade of Grey’ ends with a bangin’ cover of Led Zeppelin’s ‘Ramble On.’ James’ vocals reach another level with this one. Retaining his excellent, soaring tone. While also keeping up with Robert Plant’s original range and vibes.
Jame’s LaBrie’s ‘Beautiful Shade of Grey’ is a consistent and clear album. With a focus on quality vocal melodies. Deeply thoughtful progressions and a sensitivity to not overwriting. Whilst still keeping prog elements present. Fans of James’ original solo material in the late 90’s and early 2000’s will certainly recognize similarities between the two eras. Overall a solid solo album that focus’ on the bleaker moments of current events. The only downside is the predictable album title (it’s been done by Fates Warning with ‘A Pleasant Shade of Grey’ in 1997). Three out of five stars.
